Product and copyright
information:
Released: January 1998
Brand name: Oslo Gay & Lesbian Festival
Product: Oslo Gay And Lesbian Festival
Agency: Bates Camp
Country: Norway
Copywriter: BENDIK ROMSTAD
Art Director: ANNE GRAVINGEN
Advertiser Supervisor: TRON HIRSTI
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Released in January of 1998,
this advertisement entitled
Tarzan was done by Bates Camp advertising agency for the Oslo Gay And
Lesbian Festival in Norway. The illustration, which was meant to
support and sponsor a “gay-friendly” event, still flaunted
hetero-normative representations of heterosexuals. Parodying the
well-known story of ‘Tarzan and Jane’, the creators of this
advertisement recast their advertisement with two men playing the roles
of Tarzan and Jane. The name, Jane, is conveniently changed to John,
but Tarzan still retains his savage masculinity while
“John” is portrayed as his more subdued, feminine partner.
The two men are depicted swinging on a vine through a jungle canopy
together. The more masculine figure, Tarzan, is shown in a cheetah
print loincloth holding the vine with one hand. His other hand is not
visible, but the reader can infer that he is using his free arm to
protectively grasp his partner, John. Tarzan’s upper body and
abdominal muscles protrude from his body, giving him the quintessential
masculine V-shaped torso. His leg muscles are also noticeably bigger
than his partners, with emphatic shading around the knee and calf
areas, indicating strong, hulky muscles as opposed to slender feminine
ones. He looks downward at his partner, and his face and body language
suggest power, control, dominance, and action---all celebrated features
of archetypical masculinity.
His partner, John, while also wearing nothing more than a loincloth,
places his head affectionately on Tarzan’s shoulder, assuming the
typical docile female position beneath the male. Both his arms are
tightly wrapped around Tarzan in a full body hug. His tender gaze
upward at his boyfriend and his meek smile suggest that he is
thoroughly enjoying his partner’s power and dominance while
trapezing through the jungle ravine. Unlike his masculine partner,
John’s body is viewed at an angle, and his muscles are lean and
relaxed, signifying a more effeminate body type. His legs fall
gracefully behind him, and his left leg protrudes in a manner that is
culturally recognized as girlish and dainty. Overall, the John
character seems to embody the feminine, with a body that is more
delicate and therefore in need of the masculine Tarzan’s
protecting.
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