20. The Floating World of Harunobu, Utamaro, and Sharaku

How was Edo society organized (on paper, at least)?
four classes:
Samurai warriors (J: bu 武)
Farmers (J: nô 農)
Craftsmen (J: ko 工)
Merchants (J: shô 商)
Chônin 町人 : literally “people of the block,” townspeople, primarily merchants and artisans
In everyday life, were these groups distinctive?
Ukiyo-e 浮世絵 What does the term mean?
Yoshiwara Courtesan Quarters 吉原
1660-1760
Moronobu 菱川師宣 (1618-1694). The Appearance of the Yoshiwara . 1678. [Mason, fig. 319]
1765-1801
Harunobu 鈴木春信 (1725-1770) [Mason, fig. 321, 322]
Brocade prints (nishiki-e 錦繪): polychrome woodblock prints
Surimono 刷り物: privately commissioned prints, often elaborately printed
Pillar prints: named for elongated format
Kiyonaga 鳥居清長 New Year's Scene: Women Meeting on Nihonbashi Bridge . 1786. Polycrhome woodblock print diptych on paper; each piece of paper 15 x 9 1/8 in. (38.1 x 23.2 cm.). (fig. 323)
Utamaro 喜多川歌麿 (1753-1806) Five Kinds of Ink from the Northern Province . Early 1790s. Polychrome woodblock print on paper; 15 x 9 1/8 in. (38.1 x 23.2 cm.) [Mason, figs. 326-27]
Kabuki Theater 歌舞伎
1660-1760
Torii Kiyomasu I 鳥居 (active 1697-mid 1720s). Goro uprooting bamboo tree . 1697. Polychrome woodblock print on paper with hand coloring; 15 x 9 1/8 in. (38.1 x 23.2 cm). [Mason, fig. 320]
Ichikawa Danjuro I 市川
Popularized aragoto 荒事 or “rough stuff” style of acting
1765-1801
Sharaku 写楽 (dates unknown). “Yadorigi.” 1794. Polychrome woodblock print with mica on background. [Mason, fig. 325]