Research
Examples of recent scholarship available online:
“Against Indeterminacy,” review of Joshua Shannon, The Disappearance of Objects: New
York Art and the Rise of the Postmodern City and Michael Lobel, James Rosenquist:
Pop Art, Politics, and History in the 1960s, Oxford Art Journal 32 (October 2009), 458-464.
"Studio Gorm;'s Anxious Utopianism," essay for Call and Response exhibition, The Museum of Contemporary Craft, Portland, OR, June 18 - October 31, 2009.
"Melissa Dyne, Glass," essay for Glass: Melissa Dyne, Museum of Contemporary Craft, Portland, OR, May 29 - August 10, 2008.
“Modern Mythographer,” review of David Smith, A Centennial Exhibition, Solomon R. Guggenheim Museum, Journal of Modern Craft (Winter 2008), 157-160.
“One More Time with Feeling,” review of Caroline A. Jones, Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses and Jonathan Harris, Writing Back to Modern Art: After Greenberg, Fried, and Clark, Oxford Art Journal 30 (Spring 2007), 341-345
“James Whistler as the Invisible Man: Anti-Aestheticism and Artistic Vision,” Oxford Art Journal, (Spring 2006), 53-75.
“Mirror Man,” review of Jennifer Roberts, Mirror Travels: Robert Smithson and History and Ron Granziani, Robert Smithson and the American Landscape, Art Journal (Spring 2006), 125-29.
“Fast Times,” review of Pamela Lee, Chronophobia: On Time and the Art of the 1960s, Art Journal (Spring 2005), 109-111.
“Dark, Unfathomed Retrospect,” review of Michael Auping et. al., Philip Guston Retrospective, exh. cat. Art Journal (Winter 2004), 105-08.