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John Smith: American
Heroes & the Romance of Colonization
2/9-2/11
1. By the time that Catalina de
Erauso was writing her memoirs, the British had not
only started to colonize the Americas, but also had
started to worry about their literary production.
Thus, in 1582 Richard Hakluyt began to compile and
documents about the Americas and translate them
into English. In a sense, Hakluyt's literary
venture did with words what he hoped England would
do with land: he "captured or stole" the reports
and knowledge of the Portuguese, Spanish, and
French so that the queen might support and
encourage more forays into the "New World."
Virginia--and Smith's recollections of it--were an
important part of this process. Hakluyt claimed
that Virginia was a "'great and ample country...the
inland whereof is found of late to be so sweet and
wholesome a climate, so rich and abundant in silver
mines, so apt and capable of all commodities' that
even the Spanish competitions, whose secret map
Hakluyt claim[ed] to have just acquired,
acknowledged therein that Virginia was 'a better a
richer country than Mexico and Nueva Espana itself"
(Jehlen 21). Undoubtedly his readers were gratified
with this news that they were not to be outdone by
their Catholic neighbors!
Increasingly language itself was
seen as winning the race again Spain and as a way
of controlling and domesticating unknown regions. It is worth pausing a
moment to unpack the metaphor of domesticity. To
domesticate literally means
(1) to adapt (an
animal or plant) to life in an intimate association
with or advantage of man
(2) to adopt
(3) to familiarize
Certainly, all three of these
meanings were at work in promotional tracts
describing the Americas. On another level, though,
domestication was a way of creating a homespace--of
making what was once "other" part of the family
unit. One of the ways Smith familiarizes the land
he describes is through naming it: just as Queen
Elizabeth named the eastern seaboard of North
American Virginia
in her own honor, so
does Smith plant his own body and the bodies of his
rulers upon the landscape he maps. As you read
Smith's account, I would like you to pay attention
to the various ways he uses language to make
Virginia a home for the British.
2. In the foreword to Catalina
de Erauso's narrative, Marjorie Garber suggests
that transvestite figures are often a sign of
"category crisis." One of the categories in crisis
in the New World was that of social class and what
it meant to be civilized. As you read the
selections from the Generall Historie and Leo Lemay's article, I would like
you to think both how Smith is defining
"masculinity" and to what extent this is related to
either class or how civilized one is. For Europeans
during the Renaissance, bodily deportment and
demeanor were crucial to social status: one's
academic and moral achievements were important;
however, handbooks on what "made a gentlemen" also
paid close attention to the "gentlemanly care and
control of the body" (Bryson 136-37). Manners
became crucial and grotesque behavior became as
much a sign of a lack of worth as an "imperfect"
body was. One Italian conduct book (known in
translation to the British) argued that "'base
people' were ' by nature uncivil, rude, untoward,
discourteous, rough, savage, as it were barbarous'"
(Bryson 151). As Anna Bryson points out, "A hint of
this assumption is, in fact, given in the
characterization of [Shakespeare's] Caliban, whose
savagery is inscribed on his deformed body and is
subjection to passion, as 'a savage and deformed
slave,' the last word being a frequent derogatory
term for a servant" (Bryson 151). Plebeians were
often used as "anti-examples" in these advice
manuals: wiping the nose on one's sleeve or
displays of other bodily functions was a sign of
"commonness" and a lack of civility (Bryson
151).
How does one who is "common"
project himself as both civilized and
authoritative? Like Cabeza de Vaca, Smith writes
his narrative of his journey to America after the
fact both to promote colonization and his
reputation as an exemplary colonizer. Yet, unlike
many of the Spanish explorers and Puritan settlers,
Smith came from a working class background. His
father was a yeoman farmer, and Smith got his
education at a grammar school and as a soldier,
rather than at Cambridge. Before he went to
America, Smith had already established his
reputation as a man of action in Turkey and
Hungary. In 1605, Smith went to America with the
Virginia Colony as one of the seven councilors. The
Virginia Company was heavily influenced by Spain's
profit centered mode of colonization, though
agriculture not gold was to be the key to riches.
Unfortunately, most of the settlers at Jamestown
were from the upper classes and refused to do
manual labor. When he became president of the
colony in 1608, Smith emphasized survival and
insisted that "he who does not work shall not eat."
Just as the colony was being reorganized in 1609 so
as to be more profitable, Smith was wounded by a
gunpowder explosion, and he returned to England. He
never returned to Virginia (Winans 184-86). How
does Smith present himself as "civilized" in his
history? You might want to pay particular attention
to the preface and dedication as you address this
issue.
3. FOR WEDNESDAY: I think that
we are all somewhat familiar with Disney's version
of the Pocahontas story. I would like you to read
Smith's account in light both of the significance
of Pocahontas in contemporary American culture and
early American culture. For background on the
construction of the Pocahontas myth, read for Peter
Hulme's article "John Smith and Pocahontas" (On
Reserve) and the "Recension" and excerpt on
Pocahontas from Book Three of Smith's
Generall
Historie (in the course
reader & Norton). Please bring one Pocahontas
cultural artifact to class on Wednesday.
Bibliography
Bryson, Anna, "The Rhetoric of
Status: Gesture, Demeanor and the Image of the
Gentleman in Sixteenth- and Seventeenth-Century
England," Renaissance
Bodies: The Human Figure in English Culture c.
1540-1660. London:
Reaktion Books, 1990: 136-53.
Jehlen, Myra, "The Literature of
Colonization," Cambridge
History of American Literature, vol. 1: 15690-1820, ed. Sacvan
Bercovitch. Cambridge: Cambridge UP, 1994:
11-168.
Amy Winans, "John Smith
1580-1631," The Heath
Anthology of American Literature, Vol. 1, ed. Paul Lauter. Lexington.,
MA: D.C. Heath & Co., 1994: 184-86.
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ENGLISH 341
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