Location: [Reed College] [Department of English] [Laura Arnold][ Nation and Narration]Daily Readings
History and Political Allegory
Rogin, "Moby-Dick and the American 1848" (Subversive Genealogy:
102-51)
Duban, "Nationalism and Providence in Ishmael's White World" (Melville's
Major Fiction)
Genre
"Nation Longing for Form" (Nation and Narration, ed.
Bhabha)
Matthiessen, "The Revenger's Tragedy" (American Ren. 396-466)
Lawrence Buell, "Moby-Dick as Sacred Text" (New Essays on
Moby-Dick 53-72)
Point of View
Carolyn Porter, "Call Me Ishmael, or How to Make Double-Talk Speak" (New
Essays on Moby-Dick 73-108)
Canon & Cultural Studies
William Spanos, "Moby-Dick and the American Canon" (The Errant Art of
Moby-Dick1-42)
Toni Morrison, "Unspeakable Thins Unspoken: The Afro-American Presence in
American Literature" (Michigan Quarterly Review. 28(1). Winter 1989.
1-34.
Donald Pease, "Melville and Cultural Persuasion" (Visionary Compacts
235-75)
Masculinity and Sexuality
Leverenz, "Ahab's Queenly Personality"(Manhood and the American
Renaissance 279-306)
Robert Martin, "'Our Hearts Honeymoon" (Hero, Captain, and Stranger: Male
Friendship, Social Critique and Literary Form in the Sea Novels of H.
Melville 67-94)
Religion
Channing, "The Moral Argument Against Calvinism" (Reader)
Herbert, "Calvinist Earthquake" (New Essay s on Moby-Dick
109-140)
James McIntosh, "The Mariner's Multiple Quest" (New Essays on
Moby-Dick 3-52)
Lawrence Buell, "Moby-Dick as Sacred Text" (New Essays on
Moby-Dick 53-72)
Race
Toni Morrison, "Unspeakable Things Unspoken: The Afro-American Presence in
American Literature" (Michigan Quarterly Review. 28(1). Winter 1989.
1-34.
Art
Robert Wallace, "Bulkington, J.M. Turner, and 'The Lee Shore'"
(Savage Eye, 55-76--should be read with chapter 23). Also see Robert
Wallace's Melville and Turner.
Bryan Wolf, "When is a Painting Most Like a Whale?: Ishmael, Moby-Dick,
and the Sublime" (New Essays on Moby-Dick 141-80)
Schultz, Elizabeth A. Unpainted to the Last: Moby-Dick and
Twentieth-Century American Art.
The Sublime
Bryan Wolf, "When is a Painting Most Like a Whale?: Ishmael, Moby-Dick,
and the Sublime" (New Essays on Moby-Dick 141-80)
Cities
Wyn Kelley, "Escaping the City" (any of the three chapters;
Melville's City: Literacy and Urban Form.
Laura.Arnold@Reed.edu