Humanities 220
Spring 2012 Syllabus
Texts for this course
Flaubert, Madame Bovary (Penguin)
Baudelaire, Flowers of Evil (Oxford World Classics)
Clark, The Painting of Modern Life
Nietzsche, On the Genealogy of Morals (Vintage)
Freud, The Freud Reader (Norton)
Conrad, Heart of Darkness (Dover)
Harrison et al, Primitivism, Cubism, Abstraction
Kafka, The Complete Stories (Schocken/Random House)
Fussell, The Great War and Modern Memory
Jünger, Storm of Steel
Woolf, To the Lighthouse (Harcourt)
Kracauer, The Salaried Masses
Browning, Ordinary Men
Levi, Survival in Auschwitz (Simon & Schuster)
Césaire, Discourse on Colonialism
Reading Schedule
Week 1 (January 23)
Flaubert, Madame Bovary
M: Lecture on Madame Bovary (Hugh Hochman)
Week 2 (January 30)
Baudelaire, Flowers of Evil:
("To the Reader,” "Correspondences,” "Hymn to Beauty,” "A Carcass,” "Invitation to the Voyage,” "Spleen (IV),” "Landscape,” "The Sun,” "The Swan,” "The Seven Old Men,” "To a Woman Passing By”);
Clark, The Painting of Modern Life, chapters 1 and 2; and study this image gallery
M: Lecture on Baudelaire and modern lyric (Hugh Hochman)
W: Lecture on Manet (William Diebold)
Week 3 (February 6)
Darwin, The Origin of Species, selections (moodle);
Darwin, Voyage of the Beagle, selections (moodle);
Readings on the Great Exhibition of 1851: The Palace of Glass chapters 1 and 3; Speech from HRH Albert, the Prince Consort about the Great Exhibition pp. 109-114; Crystal Palace floor plan image #7; Crystal Palace floor plan image #8; Classification of Subjects (browse this section); Catalogue of the Unclassifiable Objects (browse this section)
M: Lecture on Darwin (Mary Ashburn Miller)
W: Lecture on the Great Exhibition of 1851 (Jay Dickson)
Week 4 (February 13)
Nietzsche, On the Genealogy of Morals
M: Lecture on Nietzsche (Jan Mieszkowksi)
Week 5 (February 20)
Freud, The Freud Reader (selections by instructor)
M: Lecture on Freud (Katja Garloff)
Week 6 (February 27)
Conrad, Heart of Darkness;
Harrison et al., Primitivism, Cubism, Abstraction, chapter 1
M: Lecture on Conrad (Maureen Harkin)
Week 7 (March 5)
Harrison et al., Primitivism, Cubism, Abstraction, chapter 2;
Kafka, The Complete Stories (selections by instructor)
M: Lecture on Cubism (William Diebold)
W: Lecture on Kafka (Katja Garloff)
SPRING BREAK
Week 8 (March 19)
Fussell, The Great War and Modern Memory, pp. 3-51, 75-82, 169-190, 326-335;
Jünger, Storm of Steel
M: Lecture on World War One (Ed Segel)
Week 9 (March 26)
Woolf, To the Lighthouse;
Woolf, "Professions for Women” (moodle)
M: Lecture on Woolf (Jay Dickson)
Week 10 (April 2)
Lenin (moodle);
Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction” (moodle);
Film: "Battleship Potemkin" (screenings Sunday 4/1 at 6:00 PM in Bio 19, Tuesday 4/3 at
6:00 PM in Psych 105)
M: Lecture on the Russian Revolution (Scott Smith)
W: Lecture on "Potemkin” and avant-garde film (Katja Garloff)
Week 11 (April 9)
Kracauer, The Salaried Masses;
Sontag, "Fascinating Fascism” (online)
Film: "Triumph of the Will" (screenings Sunday 4/8 at 6:00 PM in Bio 19, Tuesday 4/10 at
6:00 PM in Psych 105)
M: Lecture on the Weimar Republic (Daniela Blei)
W: Lecture of Nazi aesthetics (William Diebold)
Week 12 (April 16)
Browning, Ordinary Men, pp. xv-xxii, 1-8, 39-77, 121-142, 159-189;
Levi, Survival in Auschwitz;
Paul Celan, "Death Fugue” (moodle)
M: Lecture on the Third Reich (Daniela Blei)
W: Lecture on Holocaust literature (Katja Garloff )
Week 13 (April 23)
Aimé Césaire, Discourse on Colonialism
M: Lecture on Césaire (Mary Ashburn Miller)